Episode 5

full
Published on:

4th Jun 2025

Kiss of Death

This week on Forgotten Cinema, the Mikes take a ride back to the grimy streets of mid-90s New York with "Kiss of Death" (1995), starring David Caruso, Samuel L. Jackson, and a wildly unhinged Nicolas Cage with a bench press and a metal grill.

Mike Field and Mike Butler dig into why this crime thriller—despite its strong cast and moody atmosphere—never quite sticks the landing. Is it a protagonist issue? Or does the story itself just not really hold up under further investigation?

Either way, there’s plenty to talk about: Cage’s wild energy, Caruso’s post-NYPD Blue movie pivot, or Ving Rhame's character's hatred of the color red.

So, grab your popcorn and soda, please notice the exits to the left and right of you and settle down for Forgotten Cinema.

What's your favorite 90's crime film? Let us know in the comments below!

🔔 Don’t forget to like, subscribe, and hit the bell for more Forgotten Cinema content!

🎧 Available on YouTube, Spotify, Apple Podcasts, and wherever you listen to podcasts.

✨ Support us on Patreon for exclusive content: www.patreon.com/forgottencinema

🛍️ Grab some Forgotten Cinema merch: www.etsy.com/shop/ForgottenCinemaShop

Check out our website: https://www.forgottencinemapodcast.com

0:00 - Introduction

3:58 - Film Facts

14:40 - Film Discussion

33:49 - Reviews

36:19 - Who Would You Recommend This To?

39:14 - Why Is This Forgotten?

46:01 - Plugs

#ForgottenCinema #KissOfDeath #NicolasCage #MoviePodcast #FilmDiscussion #UnderratedMovies #ClassicFilms

Show artwork for Forgotten Cinema

About the Podcast

Forgotten Cinema
A podcast about forgotten films that deserve a second chance
Welcome to Forgotten Cinema! Each episode, Mike Field and Mike Butler highlight a film that for a variety of reasons was forgotten by audiences. Whether it be because a more popular movie was released at the same time or the movie simply didn’t catch on with an audience in the its initial run. We’ll discuss what we love about the movie or perhaps don’t love about it and decide whether the movie is worth a revisit.