Podchaser Logo Rate on Podchaser

bonus

bonus
Published on:

25th Mar 2024

Now Showing: Road House (2024)

Mike Butler and Mike Field are traveling down to the Florida Keys to work as bouncers and fight Conor McGregor as they discuss the 2024 Amazon Prime remake, "Road House" starring Jake Gyllenhaal, Jessica Williams, and Billy Magnussen.

Listen in as the Mikes talk about how this film is as much a ridiculous, terrible B-Movie as the original, but without the nostalgia, and also possibly more of a version of B-tier 00's film than the originals 80's vibe.

So, grab your popcorn and soda, please notice the exits to the left and right of you and settle down for Forgotten Cinema - Now Showing.

Transcript
Speaker:

Ladies and gentlemen, please notice

2

:

that exits are conveniently located

at the front and rear of this auditorium.

3

:

When leaving the theater,

you suggest that the exit at the front of

4

:

the auditorium will allow you

easier access to the parking area.

5

:

Thank you.

6

:

I'm going to assume that everyone else

can hear me, so I will talk to them.

7

:

The people out there, the audience.

8

:

If they can hear me.

9

:

Hey, everyone.

10

:

Thank

11

:

Mike can't hear me,

but you can see behind me.

12

:

See, we got our new studios being built.

13

:

Hopefully it'll look really nice once

14

:

everything's

put up and painted and stuff like that.

15

:

So I had to watch Road House today

16

:

because I was not able to watch it

17

:

earlier or yesterday for a while

because I started watching.

18

:

He So fun fact.

19

:

Michael Mann I wish I had the

book in front of me because I would start

20

:

I would start pimping about

21

:

there's a sequel to it's a sequel

and a prequel to the movie Heat,

22

:

the 1995 movie with Michael Mann, director

Robert De Niro and Al Pacino.

23

:

And the book starts off

right after the events of the movie.

24

:

So I love that movie.

25

:

And so I wanted to

so I start reading the book.

26

:

And so if you remember the movie,

remember how it ends?

27

:

It's start

this book starts off where it follows

28

:

the Val Kilmer character, Chris,

and the aftermath of what happened to him.

29

:

And then what happens

is the book jumps back to:

30

:

which is like seven years

prior to the events of this movie.

31

:

And it talks about Chris.

32

:

It follows Chris's life leading up to it.

33

:

And then I think it jumps ahead

34

:

because I hadn't gotten this far

just beyond the events to:

35

:

So I'm really interested in the book

and I wanted to watch the movie.

36

:

So last night

37

:

I was going to go to bed and

and then the gunfights scene came on

38

:

where they're in downtown L.A.,

and they're just

39

:

going at it with with assault rifles,

which is a great scene.

40

:

It's probably

41

:

I mean, one of the best

42

:

gunfight scenes in cinema

and definitely modern day cinema.

43

:

But in cinema, totally.

44

:

So that's why

I had to watch Roadhouse today

45

:

almost four or 5 hours before we did this,

because I chose to watch it last night.

46

:

So are you working now, Mike

47

:

No one can hear you, man.

48

:

No one can hear you. you're muted.

49

:

I'm muted myself, so I don't want to have

people hear me fussing around.

50

:

But yes, I am back. I'm good.

51

:

Excellent. Excellent.

52

:

So I hope I entertain the audience

with my story of the heat to

53

:

We're up and running so fast

forwarding through it.

54

:

This just means work. You're good to go.

55

:

That's where you can stop

and then start listening.

56

:

I have like, a hair in my glasses.

57

:

So what's going on?

58

:

Nothing.

59

:

You know, I.

60

:

My redo the opening.

61

:

Should I redo?

62

:

The high is like, not. Sorry,

63

:

I've been.

64

:

I've been feeling pretty down lately.

65

:

I actually, you know,

I let a guy stab me in the gut

66

:

after collecting a whole bunch of money

and then let myself

67

:

almost get hit by a train, but decided

maybe not and not today.

68

:

Headed down to the Florida Keys.

69

:

Yeah, Or the D.R.

70

:

as Where is that where they shot it?

71

:

He's.

72

:

He says he says maybe not

because maybe not.

73

:

That's right.

74

:

Maybe not.

75

:

Okay. Yes.

76

:

So if you So yes, we're here

to talk about the new road

77

:

house, the 2024 version that is on prime

video starring Jake Gyllenhaal

78

:

and a variety of other people.

79

:

Yes. Conor McGregor, which we'll get into.

80

:

We watch.

81

:

So if you are a patron, remember,

you might have seen the lead up episode

82

:

we watched,

which is we actually watch the older

83

:

the original Road House, the 1989 version

with Patrick Swayze.

84

:

A lot of that.

85

:

There's a lot of callbacks to that movie

in this, including the plot.

86

:

So which is fine

87

:

but so we kind of watch that

which Butler had never seen before.

88

:

So if you're interested in that,

that is a patron exclusive.

89

:

So you have to join our community,

which I highly recommend you do, because

90

:

we have got a ton of content coming in

the next like three or four months.

91

:

I mean, we were just talking about it.

92

:

I think we should I'm going

to I'm going to say it now, Mike.

93

:

So like we are going to do a lead up

series for the for the Apes movies for the

94

:

what is it playing the eight?

95

:

What is it?

96

:

I don't even know the names

of the new ones that I've never seen

97

:

kind of the apes.

98

:

And something else

I should know because I love them.

99

:

But yeah, so

we are doing those three leading up

100

:

to a now showing episode of the new one

that's coming out in May.

101

:

And then because I just offhandedly

102

:

said the butler, I jokingly

103

:

that because we were talking about

the new Aliens trailer that came out.

104

:

Aliens. Romulus Right, Right.

105

:

Yeah.

106

:

And, and I was just like, well,

and then he's like, I love Prometheus.

107

:

And then we just start talking and like,

we should do all those.

108

:

So then that's going to be another series

we're doing,

109

:

which

I guess we're doing the AVP ones in there.

110

:

So we have to do answer the call

for our Ghostbusters

111

:

lead up, we have to do AVP for lovely.

112

:

So, so we'll be doing that.

113

:

Those and those are that lead up

series is part of the patron exclusive.

114

:

So you have to join the forgotten

cinema community on page

115

:

and that kind of backslash forgot cinema

in order for you to be part of that but

116

:

this is what we're going to,

this is what we do.

117

:

We just talk movies

and it's a free flowing conversation.

118

:

I highly recommend

119

:

you join the community

because we'd love interact with everybody.

120

:

So it'd be awesome if when we do those,

we can actually get feedback,

121

:

live feedback and just kind of be able

to talk with you guys about movies.

122

:

So but we're not here to talk about that.

That's what we're doing.

123

:

We've got a lot of stuff coming.

That's my pitch.

124

:

We're here to talk about Road House,

the Prime Video Road House:

125

:

I know we usually start off

the main show,

126

:

The Forgotten Cinema Show, the podcast

where we I'm

127

:

just always like, like, what do you think?

128

:

So I mean, I guess without having

any kind of flair for originality.

129

:

Mike, what do you think?

130

:

I am so

all over the place with this movie?

131

:

I mean, it is

132

:

like I think I enjoyed watching it,

but it is an absolute

133

:

garbage

pile, steaming pile of, of dog doo doo.

134

:

But the kind that I used to love in

like the early:

135

:

if road house exemplifies

everything that was maybe wrong

136

:

but in the cultists of great ways

with eighties action cinema

137

:

road house is kind of everything

that was wrong.

138

:

They have like an early thousand

kind of movie can can you

139

:

allow me to put you on a spot

140

:

but can you give me a copy to a

like in early:

141

:

that you kind of thinking about

when you're watching this?

142

:

If you don't,

143

:

I hate putting you on the spot like that,

but if you do it, be awesome.

144

:

I mean, like the remake of Point Break

looks probably.

145

:

Well, come on. That's the way mean.

146

:

That's like 2015, isn't it?

147

:

Regardless, like I was like.

148

:

But I'm not saying they're good.

149

:

That's why it exemplifies

those kind of movies

150

:

that were just always on like, or like,

let's say the DMX kind of the movie where

151

:

DMX as like a cop or he's investigating

with like Steven Seagal or something.

152

:

I can't read the name of it off

the top of my head.

153

:

not belly.

154

:

That was Seagal wasn't in that Like those

kind of movies that are just like, yeah,

155

:

they're in theaters, but they're just

a step beyond like movies, like DVD been

156

:

and they're going in the DVD been probably

in a couple of months afterwards.

157

:

They kind of like exit wounds.

158

:

Exit wounds, Exit wounds,

which I used to like

159

:

when I was watching it, when I was

I was like obviously 12 or 13.

160

:

Like, obviously, listen, I love

I love me some DMX account.

161

:

What's the name of the movie?

162

:

Because it's my

every time we talk about DMX,

163

:

I always bring it up and it's a Chris

Chris Rock movie.

164

:

He directed it, and I believe it's called

Take Five, but I think that's wrong.

165

:

Chris I'm going to look it up right now

166

:

because DMX has a movie,

167

:

has a scene in that movie where he,

Chris Rock's character, is in jail.

168

:

Top five.

That's what it's called Top five.

169

:

I take five

170

:

and DMX to the scene with Chris Rock

or sucks in like jail for some reason.

171

:

Like he just gets picked up or something

and DMX is in there and there's like,

172

:

they have a scene and it's like,

DMX is awesome in the scene.

173

:

I love it. I love it.

174

:

So I always recommend Top five.

175

:

I got to remember that movie

because I always say wrong, but go ahead.

176

:

So it kind of remind me of those.

177

:

But there's it's

just kind of like road house.

178

:

It never gets schlocky enough.

179

:

And for every time I go, yeah, it goes

back down to kind of being like, no.

180

:

So I mean, obviously

I'm coming from a place

181

:

where I just saw Road House,

so I don't have any love for Road House

182

:

that I'm sure

a lot of our other viewers are going to.

183

:

And I know I'm going to catch flak with

that, but Road House isn't a great movie.

184

:

It has some great scenes,

but it's not it's

185

:

not to say

186

:

that it's become a cult classic

because everyone's like,

187

:

because it's like the room is a cult

classic so bad.

188

:

It's good. No, it's not like the room.

But I hear what you're saying.

189

:

I like the room.

But yeah, it's that kind of a thing.

190

:

Yeah.

191

:

So I don't have

that kind of nostalgia love for it.

192

:

I appreciated the eighties ness of it,

but I don't have that kind of nostalgia.

193

:

I love going into this.

194

:

So I'm sure a lot of people

who are going to hate on this movie

195

:

for maybe reasons that doesn't deserve it

are going to hate on it for that.

196

:

Like hatred, that it's not hitting

the right nostalgia beats for them.

197

:

But I the things I don't

like it like about it are

198

:

the style choices where it's

199

:

just all over the place and I'm somebody

who really likes Doug Liman films.

200

:

Usually I do like Jake Gyllenhaal.

201

:

I know a lot of he's got a lot of haters

out there for his early work,

202

:

but it's really work like work

which which ones?

203

:

Like what? Work?

204

:

Like Prince of Persia.

205

:

Like when he started blowing up

before he went to do stage,

206

:

talk about a bunch of the podcasts.

We talk about this.

207

:

We mean you talk about this all the time

and I have the same conversation

208

:

with my wife sometimes

because she doesn't like Ben Affleck.

209

:

And first of all, I love Ben Affleck.

210

:

He doesn't like Ben Affleck.

211

:

The fact that like

because she hates Armageddon and I'm like,

212

:

unless I said the same thing too,

I'll say it. Prince of Persia, you are.

213

:

I'm sorry, but like,

you're going to take that paycheck

214

:

You're if you're up and coming

like Prince of Persia was a big movie,

215

:

you're going to say yes to that movie

because you're saying yes to that

216

:

movie gets you other movies that you might

want to do, but also it solidifies you.

217

:

It's a possible theory

of solidifying you as a star.

218

:

So you're going to say yes to that movie.

219

:

You have to, just like Ben Affleck

has to see Armageddon and all that stuff.

220

:

So and so I that you can't really

the one thing about Jake Gyllenhaal

221

:

I think we've talked about on the main

show is that he left

222

:

he kind of went

and did some Broadway stuff.

223

:

He did some theater, and he came back

and he did like Nightcrawler

224

:

and he came back and he did Enemy,

225

:

which we did, which we did

for Why the book Winds podcast.

226

:

So he came back

and did like a lot of these, like

227

:

they're not like they weren't indies,

but they were like smaller,

228

:

smaller films, but like films

that he wanted to do, chose to do.

229

:

And so he's done and he's awesome.

230

:

In Not Moonlight Mile, That is the name

of the movie Moonlight Mile.

231

:

That's with Dustin

Hoffman. He's great in that.

232

:

And he was that was the younger one.

233

:

And then when he and the one that October

sky he's really good in that so

234

:

I don't

235

:

I don't buy the the Jake Gyllenhaal hate

because he's he is a solid actor

236

:

and I mean he gets a little crazy here

with his

237

:

lifting routine in this one

but you know but but that's fine

238

:

but I don't I don't get the heat

because I really do like them

239

:

to me, too.

240

:

I look at your mom.

241

:

Hey, my.

242

:

He does seem like a down to earth

nice guy, unlike you, Butler.

243

:

But I think he is a great actor.

244

:

I don't know if my mom seen Nightcrawler,

which isn't a he's not good enough.

245

:

Not a nice guy in that he's not a nice guy

that but he's he's really good in that

246

:

even though I don't really like the movie

that much.

247

:

We like why we both liked enemy Enemies.

248

:

Very good.

249

:

Yeah.

250

:

And he's both a nice guy and nice

not a nice guy that this is true.

251

:

But yeah.

252

:

So I don't come out

from, like, a position of hating

253

:

either of those things or hating

Jake Gyllenhaal or, you know, hating that.

254

:

it's ruining my nostalgia for Road House.

255

:

But I just think

the movie is all over the place.

256

:

But I did have fun with that. I guess.

257

:

I never was like, It's 2 hours, but

I never really felt like it was 2 hours

258

:

because there was always something new

in the movie, which was good.

259

:

My biggest thing with the film

260

:

was I kept the third act problems,

like when we got to the third act

261

:

and it was like and I was like,

What's happening?

262

:

Like there were

263

:

there were decisions

264

:

being made and choices being made

and just character decisions.

265

:

And I was like,

I don't this makes no sense.

266

:

No sense.

267

:

And I could see third act problems.

268

:

But honestly,

it's probably more second act after that

269

:

problems,

because second act doesn't go anywhere.

270

:

It doesn't lead to anything

where you kind of

271

:

like when you're watching a movie

with the exception of

272

:

like a mystery or something

like a film noir

273

:

where there's going to be

a double cross, stuff like that.

274

:

When you

when you're watching this type of film,

275

:

you kind of know where it's going.

276

:

You kind of know

277

:

what's what's happening, right,

and what we're where we're leading to.

278

:

But this film, it's just the second act

279

:

just meanders and it's just like you get

he gets there, he gets to the bar.

280

:

In the first act, he's

there, he's going to start fighting

281

:

and he's going to start

protecting the bar.

282

:

And then second act rolls around.

283

:

It's like a bunch of montages.

It's more fights.

284

:

It's like we got to get and we got to send

more guys after we got to do this.

285

:

And then they introduce NOx,

which is the Conor McGregor character.

286

:

I know.

287

:

Like,

288

:

okay, here's here's his main antagonist,

and that kind of fizzles a little bit.

289

:

They have that one fight and then he goes

290

:

to the second flag over there

291

:

and NOx is just doing whatever like,

like the whole

292

:

the whole thing at the end

when he gets when he gets to the boat

293

:

to get to their boat and he gets off,

I don't know why he's going to the house.

294

:

I don't know why he's in a student driver

car drinking coconuts,

295

:

because all I'm thinking is like,

he's going to have to pee really quick.

296

:

Like, cause that's a lot of coconuts.

297

:

And and he's just like,

Where is everybody?

298

:

And I'm like, and then

299

:

so you know, that they're on a boat

and I like it's stuff like that.

300

:

It was just like, okay, now we're just

making decisions that make no sense.

301

:

So you don't have a nostalgia

for the first one?

302

:

I kind of do. It's

so bad. It's good, right?

303

:

And there's a lot of callbacks to that

and I appreciated the post,

304

:

but it pretty much follows the plot of

305

:

of the original in terms of like

how he gets there.

306

:

Like, like,

I'm like even like little scenes.

307

:

I was surprised that that, that I kind of

had the scene that we talked about

308

:

in the original one where he first arrives

and then the

309

:

the waitress shows this is from the coast,

get some breakfast.

310

:

They do that scene here and I'm like,

and then I'm like, Is the bartender

311

:

going to start singing now, too?

312

:

Is she going to get behind the screen

and start singing

313

:

like I didn't I didn't understand that.

314

:

What else did you was there something

in there that you appreciate more

315

:

or you like that

they kind of look to the double deuce

316

:

sign in the background

that was next to the book shot.

317

:

Did you catch that?

318

:

The Double Deuce was nice.

319

:

I mean, I like that

320

:

they actually call it the Road House

and they kind of make a point

321

:

of making fun of the fact

that it wasn't called a roadhouse.

322

:

The first movie, obviously I love.

323

:

I like that they kind of kept the music

the same for the most part.

324

:

And obviously there was the cage around

the band, although it never came down.

325

:

I like that kind of stuff.

326

:

Wasn't very good. Cage

327

:

No, it was.

328

:

It was open on the side.

329

:

So someone clearly like at the beginning

throws a beer bottle at a guy.

330

:

Yeah. And then kind of McGregor just rips

it open, although kind of.

331

:

McGregor

Apparently this box of 35 men that knocks

332

:

and walks like he's got bats.

333

:

I think that's how I saw one.

334

:

It's an exaggerated version

of how it works.

335

:

Yeah, I was going to say,

but I will say this, that

336

:

his character introduction is a

is a good is how you introduce a character

337

:

in a movie like I think we

I don't know if we talked about this,

338

:

but I might have read something

or might have watched something that the

339

:

the art of introducing

your main character, your main antagonist

340

:

has kind of like gone by the wayside,

like a lot of filmmakers

341

:

don't know how to introduce a character

because they just don't understand it.

342

:

Like,

you know, like a good way to introduce

343

:

Intro somebody like his introduction

is, is a really good introduction.

344

:

It just doesn't he doesn't live up to it

345

:

in terms of his character, not,

not his acting.

346

:

This character doesn't really live up

to like what we expected.

347

:

You know, I almost think that's

because he comes into late,

348

:

which

like you said, he only has the two fights.

349

:

He kind of the second fight, kind of like,

350

:

let's throw him into the final fight

just to have him.

351

:

But I mean, if you introduced him

earlier in Act One, because I think

352

:

he comes in too late in Act One or Act

two, rather.

353

:

I'm sorry you haven't come in

toward the beginning of act

354

:

to give him more stuff to do,

have him in and introduce him

355

:

and in Italy

356

:

where he is, that's a good like you

said, it's a good scene,

357

:

but he needs more interaction

with the characters.

358

:

He needs to be more of

a thorn in Dalton's side.

359

:

And he really just kind of is.

360

:

Yeah.

361

:

And the whole idea that he is

from the father of Billy Magnussen's

362

:

character, Brandt, that he is

his dad's in prison and Brandt

363

:

is taking over what his dad was doing,

which is basically just putting up.

364

:

He wants to put one giant luxury

365

:

course, not course, a resort resort.

366

:

Yeah,

367

:

the whole island.

Like if you look at the plans,

368

:

the whole island

is going to be the resort.

369

:

Not just like

where the roadhouse is everything,

370

:

which is a pretty big resort, but.

371

:

Okay, so that's his he's taking over his

dad's plans, and but then his dad is like,

372

:

here, screwing it up.

373

:

I'm going to he he sends Knox in

because he's got spies everywhere.

374

:

The whole father character

subplot is just kind of tossed in there.

375

:

And it only serves the purpose

of what happens to.

376

:

Brandt At the end of the movie,

which makes no sense.

377

:

And then just the fact that Max shows up,

which modestly makes no sense.

378

:

So I don't

379

:

that whole thing is just odd.

380

:

But I wanted to I wanted to talk

381

:

about the Dalton character

382

:

because there's a big difference

with this character than the Swazi one.

383

:

They both have a checkered past.

384

:

They both have that kind of like they

they killed somebody,

385

:

but they didn't mean to in their past.

386

:

My problem or not my problem.

387

:

But you don't set it up.

388

:

I find it hard to wait. I was weird.

389

:

I find it hard to believe that

390

:

this Dalton character is somebody

that can be pushed to the edge of.

391

:

He would just murder people because the

392

:

the Patrick Swayze Dalton character

is somebody who has been a cooler.

393

:

He's been a bouncer.

394

:

He's somebody that has we're supposed

to know and assume that he's somebody

395

:

that has had to fight and scratch

his entire life to get to where he was.

396

:

Like, he's he's he's destitute, his poor.

397

:

He has one car. He just goes

he just pays cash.

398

:

He doesn't have any ties, anything.

399

:

He travels the country, walks the earth

kind of thing.

400

:

You know, that his character.

401

:

So the fact that but he got out of control

and he killed somebody and he knows that

402

:

he can't go to that place.

He doesn't want to go to that place.

403

:

So at the end of the first movie,

well, it is ridiculous.

404

:

You know, Polar bear fell on me.

405

:

That ending is ridiculous.

406

:

It's a it's more believable

in this Dalton character because this dog

407

:

character is a UFC fighter who kills a guy

in the ring in the Octagon.

408

:

But it's,

you know, clearly just gets out of hand.

409

:

But but I don't that doesn't for me,

doesn't translate to somebody

410

:

His character in this movie he goes, I

411

:

you don't want to get me to a place

because then I'm going to do things,

412

:

you know, I'm going to kill people

and I'm going to do things.

413

:

I don't get that.

414

:

I don't get that.

415

:

From his background as a UFC fighter, too.

416

:

What happened to this?

417

:

Because they don't show anything

in between that, you know what I mean?

418

:

Like they show

they show a guy who's clearly now

419

:

depressed and somebody who,

you know, is just down on his luck,

420

:

but they don't show that one scene

where he goes to fight,

421

:

which I didn't realize was Post Malone.

422

:

I in the beginning of the movie,

I'm like, you don't realize that I did it.

423

:

And I'm like, Is that him? Is that him?

424

:

I kept saying ago,

That's got to be him, right?

425

:

And so that one scene

doesn't do it for me.

426

:

Like,

I think this is something in between,

427

:

like what happens to him

after the UFC fight.

428

:

Now granted, I'm asking for a three

hour film, but that's my one

429

:

kind of comment about the differences

between the dark and characters.

430

:

I know that's not fair to to do that with.

431

:

With a remake like this, it's inevitable

you're going to do that.

432

:

But in and of itself, in this film,

433

:

I don't believe that this Dalton character

would get to the point where he just

434

:

start killing people and breaking people's

hyoid bones and stuff like that.

435

:

What do you think about that?

436

:

I don't know.

437

:

I guess,

438

:

I guess I believe you.

439

:

I guess I believe that it's.

440

:

It is hard to kind of believe

he would get to that point

441

:

because he does regret what he did.

442

:

But he does have that moment

where he where the doctor Doc

443

:

is trying to ask him where he comes from.

444

:

He comes from Montana.

445

:

He doesn't want to talk about

where he comes from.

446

:

And what I got was that, like,

447

:

maybe he's had a worse life

than just that one UFC fight.

448

:

Like maybe UFC is where he went to channel

that anger and that power.

449

:

But I get that you don't see that.

450

:

Like you said, you'd want to see more.

451

:

But at the same time, when he does cross

that threshold and he starts

452

:

killing people, I when he breaks

the high road when I was like,

453

:

yes, finally let's go, because I was like

and I implicated

454

:

about like the last

one when you don't get to see

455

:

him take

anybody out, it's just you walk through

456

:

and all the people are out,

which you kind of are.

457

:

You only takes out the one guy,

then he's thrown in the truck,

458

:

but then he takes out

like ten other guys later.

459

:

But I like that we actually see that

because that's a payoff.

460

:

I've been watching this movie for 2 hours,

waiting for him to beat the crap

461

:

out of people.

462

:

And now I actually get to see it.

463

:

Whereas in Roadhouse,

you get one big fight

464

:

and then the old man beats

the crap out of them.

465

:

I listen, and I like that scene too,

466

:

when he crack, when he breaks his neck

or breaks the bone.

467

:

I just. I think, you know what?

468

:

Maybe we need

469

:

we need that kind of like that

470

:

Sam Elliott character to come in there

and give us backstory and all.

471

:

And I was waiting were like,

Yeah, he's not a prima donna UFC fight

472

:

because you I'm not saying I'm not saying

UFC fighting is, you know, so not at all.

473

:

I would not do it then. That's great.

474

:

Not my thing, my fighting.

475

:

I'm not saying that.

476

:

But they are like

they are like pomp and circumstance.

477

:

A lot of times,

you know, like they talk about like,

478

:

he was your friend, that kind of thing.

479

:

You know, there is that kind of like

it's like a respectful

480

:

like it's like boxing almost,

but obviously not.

481

:

But it's that kind of like,

you know, commentary.

482

:

That's what I was looking for.

483

:

I think I just

we just need some character to come be

484

:

like, well, you don't know

what he's been through since then.

485

:

And then kind of

and it's going to be an expo dump.

486

:

But we need it.

487

:

I think we need it here too,

kind of by the fact that, okay, he's,

488

:

he's done some serious stuff

and they're going to push him too.

489

:

Well, I want to see that.

490

:

So, yeah,

491

:

we you know, because

492

:

because quite honestly,

even though they kind of

493

:

tell you at the end that it doesn't

happen, he murders another guy.

494

:

So we like, you know, he murders

like, knocks like, pretty quick.

495

:

But obviously. No, because he walks off.

496

:

So I think maybe that's what I think.

497

:

I just need something like that

if it's an expert up in the next podium.

498

:

But I just I need to

I kind of buy into the fact

499

:

that this Dalton would do these things

at the end of the movie.

500

:

Yeah.

501

:

I mean, I don't disagree with that.

I just enjoy that he does do that.

502

:

Like I enjoy him setting up the car

and putting the bullets in his like, yeah,

503

:

like they're going to find out it's you.

504

:

Yeah, maybe.

505

:

All right. Like this.

He just doesn't care.

506

:

And I want you to think about

what did you think about the.

507

:

The father, the cop, that whole thing.

508

:

The whole thing with the.

509

:

The daughter, the the same thing

like they did

510

:

in the first film with the love interest,

which is the doctor.

511

:

What?

512

:

What did you think about that whole thing?

513

:

I hated the whole.

514

:

I didn't understand any of it.

515

:

I thought that it just didn't

make any sense.

516

:

Like, first of all,

they're lifelong Florida residents,

517

:

but they clearly have the heaviest

Portuguese accents and and you know what?

518

:

I make?

519

:

Like, I'm fine with them being Portuguese,

but they can't be lifelong

520

:

Florida resident.

At least she can't have the accent.

521

:

If he's going to have the accent

522

:

like she's lived in Florida all her life,

she's kept that super heavy accent.

523

:

I just I don't buy it.

524

:

And like, he's dirty,

but he's not dirty or I'm going to

525

:

my daughter's been kidnaped

and then his daughter's actually kidnaped

526

:

and he still doesn't

really seem to really care.

527

:

But then at the end,

all of a sudden he comes and goes, Listen,

528

:

I got all this cleaned up.

529

:

Why don't you just get out of here?

530

:

Like, where is this coming from? No.

531

:

How are you cleaning this up?

532

:

You're dirty, Ed. You're.

533

:

You're Your source of pay is gone. I just.

534

:

I don't any of that.

535

:

I think the doc was kind of shoehorned in.

536

:

I would actually have rather had

537

:

Dalton and

538

:

I can't remember her character's name.

539

:

The owner of the Roadhouse

just kind of get together.

540

:

Like, I think.

541

:

Frankie, I don't need, like,

a shoehorned doc back in here

542

:

that you don't really need her.

I don't think.

543

:

I think she was kind of superfluous

because if they kidnap Frankie,

544

:

the owner of the roadhouse,

and all of a sudden she's dead,

545

:

then Dalton still got to go save her.

546

:

It makes more sense to capture her

than some girl he's been on one date with.

547

:

It just doesn't make a lot of sense.

Plot was for me.

548

:

I would make it a much more

549

:

insular.

550

:

Like, kind of like,

this part of the plot.

551

:

If Frankie was both the owner of

the roadhouse and someone Dalton was with,

552

:

I think

553

:

we're also seeing probably

a lot of subplot threads

554

:

that are from previous versions

that didn't make that

555

:

just they kind of kept in there like,

I wonder how many versions of Roadhouse

556

:

remake scripts are that I'm I'm, I mean,

I know because I know this was this

557

:

originally started as a movie

with Ronda Rousey in the lead and she she

558

:

she dropped out you know so this is

this is this was in the works for a while.

559

:

So I'm wondering if a lot of this stuff

was just kind of kept in there.

560

:

Like again, with the third act stuff,

561

:

the complication of having

562

:

the sheriffs be be up.

563

:

I mean, you can have the dirty sheriff

with the fact that he's the father of

564

:

the love interest.

565

:

Very convenient. Right, Ellie?

566

:

You know, it's

it just doesn't make any sense.

567

:

And he's just so he's again, we have a

there's so dirty and they don't care.

568

:

They're going to just they're just going

to just shoot them in the. Yeah.

569

:

Yeah.

570

:

How does she know that.

571

:

So the boatyard anyway

is that where he kills all his people.

572

:

I don't. Yeah.

573

:

So that, that, all that stuff is just

the Billy Madison character.

574

:

The, you know, his, his whole Ben branch,

his whole thing is just.

575

:

I don't understand.

So there's a lot of stuff.

576

:

I just don't there's, I think we're

missing stuff that's just not in there.

577

:

I think

578

:

it's the movie starts off great.

579

:

I think it's got a lot of great it's

580

:

got a lot of good actions,

got a lot of good fight scenes.

581

:

It's got a lot of good

just kind of moments.

582

:

But then when you start peeling, when

you start, okay, it's that looks great.

583

:

That was great.

584

:

When you start kind of digging

into the story, there is it's

585

:

just all over the place

and it's really tough to kind of maintain.

586

:

And that's why I say when I say third

act problems, they're really more second

587

:

act issues because nothing is set up

for the third act.

588

:

Yeah, fun fact.

589

:

And I know again,

people watching Ra Ra Ra,

590

:

the original Roadhouse

has the same freakin problems.

591

:

The original roadhouse

has the same story problems,

592

:

but everyone ignores it

because it's a cult classic

593

:

and while it does

have some other better moments,

594

:

like it needs that Sam

Elliott character and stuff, I feel like

595

:

this is just as bad as Roadhouse,

but in a different time.

596

:

So Roadhouse came out in 1989

597

:

where

30 something, 35 years away from that

598

:

the audience doesn't accept

some of the things that were okay

599

:

in Roadhouse this time

but are no longer okay here.

600

:

But maybe that's purposeful

to try to be more like Roadhouse

601

:

the original be more like an eighties

movie

602

:

like disagrees I.

603

:

I do think this movie sucks

great roadhouse

604

:

do you think it sucks with

that many use though.

605

:

Do you go with that many use

because would he say that

606

:

that the original roadhouse

also sucks with that many use

607

:

because it does if you're coming at it

608

:

not having grown up with it

and I love eighties movies.

609

:

Roadhouse also sucks,

but it's also enjoyable.

610

:

Roadhouse I will say 1989 as Roadhouse

is, Farm is more enjoyable than this,

611

:

but it's not like by a ton.

612

:

I mean, okay, I mean, we laugh.

613

:

I mean, first of all,

I think it's really cute

614

:

with John and Lloyd

and the arms around each other.

615

:

That's nice. That's sweet.

616

:

I mean, like,

we don't get the hokey dialog of, like,

617

:

I brought a JCPenney,

you know, to this town.

618

:

You know, like, we didn't get like,

a lot of those hokey lines.

619

:

I think any of the lines that some hokey

lines from like the nice guy biker guy

620

:

and his Yeah.

621

:

Obviously has a lot of cheap lines

and then it seems like it's completely.

622

:

Ayoade But like,

623

:

like knocks

and Dalton have lines to each other

624

:

while they're fighting that just are like,

shoehorned in.

625

:

man.

626

:

His last line sounds a little out of tune.

627

:

I hated that line.

628

:

I hated that.

629

:

Like, I hated that.

630

:

Like, I know that Don's tough.

631

:

I know he's tough, but

he is taking full blown shots to his head,

632

:

like from a massive individual.

633

:

And he's just, like, nothing faces them.

634

:

And I'm like, I'm sorry.

635

:

But, like, I mean,

I don't know how you're doing that.

636

:

Like,

I hated that line at the end of the movie.

637

:

I couldn't stand that line.

638

:

Now, I don't know if this bothers you, but

it always bothers me when you in a movie

639

:

like Rocky or Jake Gyllenhaal, Southpaw,

which is another good Gyllenhaal movie,

640

:

or you get like,

641

:

I think I just had Rocky

any movie or like this.

642

:

And he will be at a movie with a fight

hitting back in the head.

643

:

And you're sure they're almost.

644

:

Yeah, It's almost like,

I don't want to cut you off.

645

:

I want to go back to that,

but go ahead. Yeah.

646

:

Any of these movies with fighters

647

:

Creed Why?

648

:

Why does. Yeah, no.

649

:

Has cauliflower ears. I'm sorry.

650

:

I know you want to make your your main guy

get, like, a pretty boy,

651

:

but you got to give him some Hollywood.

652

:

Dude, this is this is like fighters.

653

:

It always bothers me.

654

:

But then you have fighters

playing against them,

655

:

and they all have cauliflower ears.

656

:

It's like, why does McGregor's

because of the bad guys.

657

:

The bad guys have to look ugly.

658

:

You see, I just this is Hollywood

one on one that always kind of

659

:

that always kind of bothered me.

660

:

Like the faces where you just give them

a little bit of you

661

:

see, you want some ugly

mug to be the lead.

662

:

I want a movie.

663

:

I want them little shows like,

just like a little bit of cauliflower here

664

:

and there.

665

:

I just want to see

666

:

that they're fighter like it just

I just don't buy that they're fighters.

667

:

Hey, Jake, we want you.

668

:

We want you to get ripped for this film.

I can't wait.

669

:

Hey, wait.

670

:

But listen, you're going to look,

we're going to gross you up a little.

671

:

We're going to give you a nasty ears,

a little bit of color here. What?

672

:

Your public says

something a bit nose or anything?

673

:

Just a little bit.

674

:

It doesn't make any sense

for him to have like,

675

:

he pulls up his shirt

and he's all scarred.

676

:

He's a UFC fighter.

677

:

He's not a knife fighter.

678

:

He's not like a ninja.

679

:

It's not the Wolverine

where he pulls like,

680

:

it just doesn't make sense to me

that that's, that's Where'd you

681

:

get those scars? UFC How, how

682

:

it's like

683

:

every bar fight he's he's going into that

goes back to that goes back to what we

684

:

talked with the whole expert dumb thing

I think that goes right along those lines

685

:

never mind that like it's stabbed

in the gut that does like,

686

:

you want to get like, I'm sorry,

687

:

but like you don't have a visceral

like you you

688

:

I know you don't want to get mad

and to murder somebody, but like,

689

:

you can get a little annoyed

that you just got stabbed in the gut.

690

:

You could, like, punch

the guy in the face or something.

691

:

I was so sure the guy had stabbed him

in the money that I was like,

692

:

okay, that's

why he's not being affected in the money.

693

:

Well, because he's got a hoodie on.

694

:

So I thought he stabbed them

in the money in his pocket.

695

:

And I was like, okay, that's

why he's not being affected.

696

:

And he's like, No,

maybe as soon as I pull this out,

697

:

there's going to be a lot of blood.

698

:

One of the other subplots I didn't like,

699

:

which could probably go along

the lines of the plans this movie sucks.

700

:

Is that the whole girl at the bookshop

701

:

and the father are like, Why?

702

:

Like, why? I don't.

703

:

So she starts

soon as she starts talking about the tree

704

:

at the beginning of the movie.

705

:

I'm just like, No, no, I don't.

706

:

I don't care about this.

707

:

I don't care about any of this.

708

:

Like, this makes no sense.

709

:

And like, I just like,

I don't get that part.

710

:

It's a given.

711

:

They probably read the script, were like,

listen, he can't care about the dark.

712

:

He needs somebody else to go back for.

713

:

He's not going back to the dark,

which makes sense because he's not.

714

:

But that's why you have him fall

for Frankie.

715

:

And actually

that whole place has meaning to him.

716

:

Yeah, I mean, I get it.

717

:

It's. It's a force love, interest.

And it's really not a love interest.

718

:

There's one day

they don't do the whole thing

719

:

that did in the original rules,

which is prevalent

720

:

in the eighties and nineties,

which was the love interest.

721

:

And then they meet and then they hook up

and they're going to do that here

722

:

because we don't do that in modern cinema

these days.

723

:

I get

I get that it doesn't make any sense,

724

:

but there's really no to me

if you're not going to do that,

725

:

which is fine, you need to have more

of an emotional connection with the dark.

726

:

And to your point,

there's no way to do that

727

:

unless you make the movie longer. So.

728

:

So instead. So instead what?

729

:

Instead of having instead of doing the

bogus love interest, which nobody likes,

730

:

we're going to do the bogus

I like kid stuff like that.

731

:

You're just replacing one for the other.

732

:

So it does like and yeah, and it doesn't,

it doesn't make any sense.

733

:

And I just

734

:

I just don't like I don't get it like,

like again, it's like,

735

:

that's like a completely different movie

like that.

736

:

That whole like, is like,

and I didn't like the whole Western thing

737

:

that she kept talking about like, you're

kind of like, this Western should stop.

738

:

No, don't.

739

:

The movie can be

that you don't have to reference.

740

:

The movie can be that

without having a precocious kid in there

741

:

having to, like,

have the look at the things she says.

742

:

Nobody care.

I don't care. I don't care about

743

:

that whole thing.

744

:

I didn't care the whole they burn it down.

745

:

And it was like, where are they?

746

:

Other than the hospital

doesn't visit them.

747

:

We don't see him visit them.

748

:

We don't know if they're okay,

if they're not okay. Yeah.

749

:

Like I was waiting for them to go

visit the hospital bed

750

:

and find out

like she's in really bad condition

751

:

and that's what,

like, pushes them over the edge, right?

752

:

It's like you guys.

753

:

So now you need to get out of there. Sir?

754

:

Sir, two guys who let him in there.

755

:

I know, but only one gets.

756

:

Only one pays the price for it.

757

:

It's almost like that.

758

:

It could be stacks like eight bodies

in that pickup truck, bro.

759

:

No, he doesn't. There's only one.

760

:

I thought it's bodies in that pickup

truck is just one guy he picked.

761

:

No, he got the one guy.

762

:

And then he goes

and gets the ice and puts the.

763

:

Puts the fight on the ice

for that one guy for some

764

:

for some reason where I don't understand

how he knows there's money

765

:

being hidden on an island.

I don't get that.

766

:

So I don't. Yeah, yeah, yeah.

767

:

There's a way to back me up.

Where to back me up, John?

768

:

Yeah, Yeah, I know. I was right,

you know?

769

:

So he puts him on ice so he can.

770

:

He can do the whole short term memory

nonsense that doesn't work, which is dumb.

771

:

Like,

that was part of his plan all along.

772

:

And then.

773

:

And then he steals a boxer money, which

I don't get where we found that from.

774

:

I must. I missed it.

775

:

I mean, I was paying attention

in this movie.

776

:

All he says there's a meeting at 5 p.m..

777

:

Exactly.

778

:

And then

and then that translates to well, I think

779

:

maybe the meeting was at that what

where that one boat was

780

:

and they were going to take that boat out

to the meeting place.

781

:

But you know, who knows.

782

:

No, nobody knows.

783

:

And then we have the Jack Reacher ending

where he goes on the he goes on to the

784

:

he goes on the bus like he's

going to go to another roadhouse.

785

:

Like, I travel the

I and I hate become a bartender.

786

:

The whole point should have been like

787

:

he finds a home where he doesn't feel like

he wants to kill himself anymore

788

:

and instead it's like, Nope,

let me leave it in

789

:

that I'm just going to travel,

be depressed again.

790

:

It just doesn't make any sense.

791

:

Yeah. Now we agree, John.

792

:

We were talking about third act.

Second act problems.

793

:

It falls apart

a lot further before that too, is just

794

:

this is a lot of stuff

that just kind of, doesn't it?

795

:

It's not.

796

:

I'm talking myself out of this movie.

797

:

I enjoy the fight scenes, even though

the fight scenes are like hypersensitive.

798

:

I read that they did

a multi multiple technique

799

:

which is just basically

overlaying the images onto each other, but

800

:

I think they also did a lot of quick cuts

to like punches and then they cut that.

801

:

They did a lot of that stuff

like cutting off within the scene.

802

:

There's some stuff that's really good

803

:

and then there's some stuff like

the beginning of the final fight with Knox

804

:

in the bar after the boat crash.

805

:

Yeah, is all you can see.

806

:

The stunt doubles,

which are if you want to watch nowadays,

807

:

you should be able to hide it

a little better.

808

:

But also they do like blurry cuts

or you can't see because there's obstacles

809

:

in front of where you're trying to see

810

:

that does a lot of weird cinematography

that I don't like because it looks like

811

:

they're actually swinging punches.

812

:

But the way the camera

is just doesn't focus.

813

:

And then like maybe 30,

40 seconds into that fight,

814

:

then it cleans up and they never go back

to those weird images again.

815

:

It's like the editor started with it

and then Doug Lyman was like, that's crap.

816

:

But you know, we already have it,

so keep that 40 seconds

817

:

and just don't do it

for the rest of the fight.

818

:

Let's go.

819

:

Let's go to just Steadicam

and the the quick cuts and stuff.

820

:

Yeah.

821

:

And like, the the the Frankie character,

822

:

which I wanted to bring up

Jessica Williams

823

:

because I'm going to, again,

pitch you to go watch Shrinking

824

:

because she's in a shrinking

with Harrison Ford.

825

:

And I'm blanking on his name

but you've got your mother, Jess Segal.

826

:

She's very good in that show and she's

and she's is good in here.

827

:

But there's a part in here where, like,

she leaves the like

828

:

it's almost like,

okay, when she leaves the roadhouse.

829

:

So and then NOx goes in

and has the big fight

830

:

that you were talking about,

the fight that they had. Right.

831

:

She leaves the roadhouse school

yell at Brant.

832

:

It's like it's almost like in

it's almost like in the script.

833

:

It was like, okay, so Frankie leaves.

834

:

Why? Well,

we have to get you out of there. Why?

835

:

We just don't you there?

836

:

During the fight,

I thought the exact same thing.

837

:

We need you to never come back.

838

:

Be hysterical in the in the parking lot

for some unknown reason.

839

:

Like you.

840

:

You grew up with Brad,

but we're not telling anybody.

841

:

You grew up with us like that.

842

:

Where is she?

843

:

During the fight, the branch drives off.

What does she do?

844

:

Grab on to the door and like,

let the let the car go.

845

:

Like she should be like seeing the fights

all happening.

846

:

It's done. It's stupid. And like.

847

:

Like the parking lot is like,

you know, a hundred yards away

848

:

and she can't get back in to realize

that our entire bar is getting just like.

849

:

That's the other thing.

850

:

John isn't like the fights.

851

:

That's the other thing.

852

:

Like when they're fighting,

853

:

when the bar fights starts,

when one dude's like, Well, fight.

854

:

What are we?

855

:

And then we're on the canoe.

856

:

Yeah, I have that climb in the clinch.

857

:

I have to say,

here is the bar Fights work like that.

858

:

Is it like a food fight?

859

:

You just declare it and then you can

literally just punch the guy next to you.

860

:

And then they start fighting.

861

:

Some people are fighting the people

862

:

they were sitting with,

which doesn't make any sense.

863

:

So yeah, I I was told again, Coral

864

:

Keys or Krystal Keys Class Glass key.

865

:

Glass key.

866

:

Let me let me glass keys.

867

:

Just a pit

868

:

maybe people maybe it's just people live

there shouldn't be living there.

869

:

Like like, like maybe it's just it's

just a bunch of, like, no good.

870

:

Like, that's what it makes it out to be.

Like. It's just a town of just.

871

:

They just, you know,

I mean, I always thought that she no good.

872

:

Nick Mostly rich people

but vacation spots.

873

:

And I guess I was wrong.

874

:

Jane You're calling on the Razzie already.

875

:

I mean, it's it's March.

876

:

I actually.

877

:

I think it was All right.

878

:

Yeah.

879

:

Here's my thing with Conor McGregor

In the first the first maybe

880

:

like 15 minutes of his performance,

I'm like, is are they admiring him?

881

:

Like, is this somebody else's voice?

882

:

Because this doesn't sound like him,

and maybe I just don't hear him enough,

883

:

Or maybe he was trying to not be as thick

with his accent.

884

:

It's still in there.

885

:

I just it didn't sound like him to me.

886

:

Did you study?

887

:

Like what?

888

:

I mean, he's saying everything behind

this.

889

:

Weird, like, just like.

890

:

Yeah. While.

891

:

So he's always

892

:

everything he's saying is going to have,

like, this weird smile voice.

893

:

Do it.

894

:

Because he said he's got a like, he's

got a career in just being like a baddy.

895

:

Like, go ahead,

go be a James Bond villain or something.

896

:

Yeah, I could see him going

like obviously he has to tone it back

897

:

from this or just do more over

the like be in Fast

898

:

and the Furious is the next Fast

and Furious bad guy

899

:

because that's kind of like,

Yeah, I'm tired. He popped up in Italy.

900

:

There's one more left.

901

:

You're almost done till the

maybe he will be family

902

:

like that, like him

appearing in it reminded me of

903

:

him being him in Italy.

904

:

Reminded me of

when we were introduced to Jason Segel's

905

:

character in Fast and Furious,

when he just goes to the hospital

906

:

and finds his brother in the hospital bed

907

:

and the just kills

everyone in the hospital for no reason.

908

:

Like, I'm like, okay, so kind of McGregor

is as a Fast and Furious villain in this.

909

:

Like, I'm waiting for Dalton to join

Vin and his Finn and load it and crew.

910

:

Well, no, he would. He would.

You haven't seen the last one.

911

:

You haven't seen the last one with Jason

Momoa's.

912

:

The burger is dancing

is right around here.

913

:

They told me about it

painting fingernails on their bodies.

914

:

I dunno, whatever. It's just dumb.

915

:

It is dumb.

916

:

It's just, again, choices

for unknown reasons.

917

:

We're making these character choices

because we think they're funny.

918

:

It I'm not defending the movie.

919

:

I'm defending it from people

920

:

who would also say that Road House

is a superior movie to like this.

921

:

And the gray

I'm saying they're both bad movies,

922

:

but they are enjoyable in

how bad they are.

923

:

It's not like

I didn't have fun watching the badness.

924

:

Yeah, Yeah.

925

:

To be fair, Mrs.

926

:

Butler, we don't think that

this is a good script as well.

927

:

Was supposed to be fighting,

and that's it.

928

:

But, you know,

I don't think we were expecting a lot of

929

:

we weren't expecting,

you know, Oscar material here.

930

:

I got essentially what I was expecting,

maybe.

931

:

But I think it does.

932

:

You like it.

933

:

You're like,

934

:

No, I mean, I enjoyed watching it,

but no, it's I don't I didn't like it.

935

:

I, I don't think it was a great movie.

936

:

I think Road house in and of itself

isn't a great movie.

937

:

And I think that's why people like it,

because it's

938

:

quintessentially eighties cheese

and it needs to stay there.

939

:

That's not something that it's really

it was always like we talk

940

:

about with trying to remake Ghostbusters

exactly how Ghostbusters is.

941

:

It's always going to be

942

:

you're always going to fall flat

943

:

from remaking something like that

because it is a movie all its own.

944

:

It can't be redone.

945

:

So in the main show

946

:

starting May 1st, we talk about

947

:

we always ask, you know,

is there something you would recommend

948

:

a huge recommend this to?

949

:

So I'd like to ask that here,

since we're critical of this film,

950

:

like is this

something would kind of recommend anybody

951

:

I wrote us where would you

952

:

if somebody is like,

I'm really bored, I'll be like, Listen,

953

:

you're going to watch it.

954

:

You're not going to like you're going

to watch the train wreck.

955

:

It's not on. It's not an unwatchable film.

956

:

We've watched unwatchable films before.

957

:

It's not a film where you're like,

just afterwards.

958

:

You're like, I don't. I love everything.

959

:

Watch Butler.

960

:

I enjoy everything we watch. But

961

:

yeah, I mean, it's quick.

962

:

If you're looking for like a Shut

963

:

your Brain off movie,

this is definitely one of those.

964

:

It's quick.

965

:

It's 2 hours. 2 hours.

966

:

I mean, like, it doesn't feel like long.

967

:

I mean, you'd be hard pressed to find

too many movies outside of, like,

968

:

horror movies

now that are under, you know, 120 minutes.

969

:

It's just you're not going to find those.

970

:

No one knows how to cut a movie anymore.

971

:

Right?

972

:

Can you hear my dogs barking? Yes.

973

:

Yeah. Well, I can't.

974

:

I can't help that. I have dogs, people.

975

:

Okay, it's

976

:

this is live the barking because my wife

getting home from our big nerd

977

:

where she was out today. So

978

:

she read this book.

979

:

This book

that's like about dragons or something.

980

:

And she had her friends all read them.

981

:

I don't know. And it's a big

they had a big nerd fest today, tonight.

982

:

So she's been doing that.

So I can't stop the dogs from barking.

983

:

They'll stop.

984

:

And what's funny is the loudest is

the smallest, and he's a pain in the butt.

985

:

All right.

986

:

So I agree with you.

987

:

I think

I think there's better movies to watch.

988

:

I think if you're looking for an action

film, even though

989

:

the pilot, John, thinks the actions lame,

there is action in there,

990

:

you know, So

I think there's probably better

991

:

things out there that you probably can do

on a Saturday night.

992

:

But yeah, so I mean, I don't

I mean, I don't I'm purposely

993

:

I'm wrapping up

because don't think these should be

994

:

forgotten cinema

the now showing shouldn't be long

995

:

before we go before we go.

996

:

I know I kind of I know I kind of like

pump the the Patriots stuff

997

:

but if you want to kind of do that again

or you want to talk about the main show

998

:

or you want to watch some of the episodes

that we got coming up in the season 17,

999

:

you know, have at it.

:

00:44:36,730 --> 00:44:39,730

But look at her Take a breath.

:

00:44:41,430 --> 00:44:41,797

All right.

:

00:44:41,797 --> 00:44:42,997

Let me try one of my new banners.

:

00:44:42,997 --> 00:44:43,730

Hold on, hold on.

:

00:44:43,730 --> 00:44:45,130

Hot boom.

:

00:44:45,130 --> 00:44:47,897

Yeah, that's right.

:

00:44:47,897 --> 00:44:48,797

And I got this one.

:

00:44:48,797 --> 00:44:50,530

Don't forget to like in subscribe.

:

00:44:50,530 --> 00:44:53,130

Don't forget to, like, subscribe

to our channel if you haven't already.

:

00:44:53,130 --> 00:44:56,963

I think the only people that are watching

this right now live anyway are to do.

:

00:44:57,463 --> 00:44:58,230

But if you're watching this.

:

00:44:58,230 --> 00:45:01,530

Yeah I would love if you liked

and subscribed that'd be great.

:

00:45:01,830 --> 00:45:06,263

Check us out on Forgotten Cinema Patron

Patron Account slash Forgotten Cinema.

:

00:45:06,530 --> 00:45:09,997

You can find these livestreams are

eventually going to become patron only.

:

00:45:10,063 --> 00:45:13,830

We haven't decided exactly when yet,

but we figured our first few

:

00:45:13,830 --> 00:45:16,163

as we're getting everything

going, should be for everybody

:

00:45:16,163 --> 00:45:19,163

so that we can get more people

to be interested in us.

:

00:45:19,230 --> 00:45:22,997

But we have our lead up series,

Our Afterlife

:

00:45:22,997 --> 00:45:26,697

episode just dropped yesterday

or no today.

:

00:45:26,697 --> 00:45:29,497

Yesterday, Lately, yesterday.

Technically today.

:

00:45:29,497 --> 00:45:32,863

And we have another now showing

which is going to be on Tuesday

:

00:45:33,130 --> 00:45:34,663

where we're going to talk about Frozen

Empire.

:

00:45:34,663 --> 00:45:37,730

We're going to livestream

that Tuesday night at 930

:

00:45:37,730 --> 00:45:40,063

and then the next day

that's going to be available

:

00:45:41,197 --> 00:45:42,697

for everybody as well.

:

00:45:42,697 --> 00:45:43,730

So check all that up.

:

00:45:43,730 --> 00:45:46,897

Like Field said, we're going to do

the aliens movies later on the summer.

:

00:45:46,897 --> 00:45:48,930

We've got Planet of the Apes

coming up for a lead up.

:

00:45:48,930 --> 00:45:50,863

So we have a ton of patriotic content.

:

00:45:50,863 --> 00:45:53,930

And May 1st

we're coming back for our main show,

:

00:45:54,597 --> 00:45:57,397

the podcast, the commercials, everything.

:

00:45:57,397 --> 00:45:58,397

We're we're back.

:

00:45:58,397 --> 00:45:59,930

All this, all this.

:

00:45:59,930 --> 00:46:01,563

This is for this is for a commercial.

:

00:46:01,563 --> 00:46:03,330

So hopefully that'll be gone soon.

:

00:46:03,330 --> 00:46:05,430

You know, I'm suffering for my art here.

:

00:46:05,430 --> 00:46:10,263

So check us out, subscribe,

tell everybody in know our stuff.

:

00:46:12,530 --> 00:46:14,330

I know if I say art,

:

00:46:14,330 --> 00:46:17,330

but yeah.

:

00:46:18,630 --> 00:46:19,030

All right.

:

00:46:19,030 --> 00:46:20,597

So, yeah, that's it.

:

00:46:20,597 --> 00:46:21,530

Hey, John, we're going to go.

:

00:46:21,530 --> 00:46:23,130

We're going Monday night

if you want to come with

:

00:46:23,130 --> 00:46:25,863

if you want to see Frozen Empire in IMAX,

just hit me up.

:

00:46:25,863 --> 00:46:29,497

We'll take that I'm more than willing

to have you come with us, man.

:

00:46:29,963 --> 00:46:30,763

All right.

:

00:46:30,763 --> 00:46:33,363

So, everyone, thanks for joining us

for the live. Thanks for watching.

:

00:46:33,363 --> 00:46:35,130

If you're watching is recorded

and we hope you enjoy it.

:

00:46:35,130 --> 00:46:36,330

We hope you like

some of the clips that come.

:

00:46:37,963 --> 00:46:38,563

Mike and I are

:

00:46:38,563 --> 00:46:41,563

pretty pleased with what's happening

in terms of AR.

:

00:46:42,330 --> 00:46:45,097

Mike and I are pretty pleased what's

happening in terms of our social stuff.

:

00:46:45,097 --> 00:46:48,363

Like we're kind of

getting a lot of traction there.

:

00:46:48,530 --> 00:46:51,330

Your mother wants to get a haircut, Mike,

So get that going.

:

00:46:51,330 --> 00:46:55,230

Everybody wants to know, I love how

you got to go to the salon you fancy, boy.

:

00:46:55,397 --> 00:46:59,063

All right, So I got two sports clips now.

:

00:46:59,063 --> 00:46:59,863

There you go.

:

00:46:59,863 --> 00:47:00,163

All right.

:

00:47:00,163 --> 00:47:01,230

So we'll see everyone later.

:

00:47:01,230 --> 00:47:02,197

Thanks for watching.

:

00:47:02,197 --> 00:47:03,163

I'm Mike Field.

:

00:47:03,163 --> 00:47:07,930

Mike Butler, and this has been cinema now

showing Road house,

:

00:47:08,497 --> 00:47:11,763

what,:

House Prime since that time.

:

00:47:11,763 --> 00:47:14,230

So right now

I don't want to call it a prime.

:

00:47:14,230 --> 00:47:17,097

Yeah. Like that. Yeah. All right.

:

00:47:17,097 --> 00:47:17,597

Bye, guys.

Next Episode All Episodes Previous Episode

Listen for free

Show artwork for Forgotten Cinema

About the Podcast

Forgotten Cinema
A podcast about forgotten films that deserve a second chance
Welcome to Forgotten Cinema! Each episode, Mike Field and Mike Butler highlight a film that for a variety of reasons was forgotten by audiences. Whether it be because a more popular movie was released at the same time or the movie simply didn’t catch on with an audience in the its initial run. We’ll discuss what we love about the movie or perhaps don’t love about it and decide whether the movie is worth a revisit.